Thursday, 12 July 2012

Quit Your Day Job: Monster Kookies


http://www.etsy.com/blog/en/2012/quit-your-day-job-monster-kookies/?ref=fp_blog_title

Quit Your Day Job: Monster Kookies


Tell us about your shop and the idea behind it.The name Monster Kookies is a simple summary within itself, really: it’s the fusion of cutesy, creepy, and delicious. Some of my first clay creations started out as food and then warped into something strange, like my tentacle cupcake – one of the first polymer clay pieces that really got the ball rolling. The reaction I got to it fueled the fire for more crazy creations like the Killer Cupcake and Intestine Cupcakes.
There have been many strange reactions from people over the years. I once had someone run away from my table setup yelling “eeeeew” and flailing their arms because they saw some of my Intestine Cupcakes. I found it pretty entertaining.
Tell us about your previous working situation and how you discovered Etsy.When I finished chef school, I thought about going back to the kitchen, but I really didn’t like the “go-go-go! get it out, get it out!” pace, not to mention the hours and strange scheduling. Not being able to hang out with your friends when they are out and about on the weekend or not being able to get together with the family on holidays can be a real downer.
At the same time, I started dabbling in polymer clay. At first, I sold only to friends and family, but then a friend told me about Etsy and said that I should check it out. I did, eventually. It took a month or two to make my first sale, but getting the word out there onDeviantArt and Facebook definitely helped motivate me. People really had a lot to say about it, and I even developed a small following. So I kept it up, and practiced my fingers off.
What steps did you take to prepare for transitioning into full-time Etsy selling?
I didn’t prepare. It was like being at the pool and having someone come along and throw you into the deep end when you don’t know how to swim. I learned everything from trial and error. It wasn’t easy at first, and there were definitely months when I called my parents hoping that they might help me make the rent. I am very thankful for that. I definitely hated asking for the help, though. I’ve always been stubborn and independent. Regardless of whether or not people thought this was a “real job,” I was going to do it, even if I had to live on sardines and crackers to get there.
Living a relatively cheap lifestyle helped. Renting an all-inclusive hole-in-the-wall down the street from a cheap market made things a lot easier. I did a lot of walking, and I used public transit. I didn’t have any expensive habits, and my hobby was also my income. I got by. Barely – but I got by.
What is your favorite part in the jewelry making process?
The detail work. Whether it is all the little rivets, textures and panelling that it takes to create an industrial piece, or adding all of the little suction cups to colourful tentacles. My favourite is probably gear work, even though it is the most time consuming. I’ve got a large metal tin box that contains one or two pounds of watch parts that I have collected. I bend the light at my desk as close to the work surface as possible and get out the tweezers. One by one (as I go cross-eyed), I place the gears and watch parts onto the painted clay, trying to get it so the gears and parts actually look like they could possibly function. It’s very therapeutic, I think.
What’s been your most popular item or line to date?It goes in phases. The most consistently popular would probably be Barbed Rosette and Fabricated Heartbeat – two hearts from my Industrial Heart Collection. But then the Mechanical BirdiesSteambunnehs, and MechOwlies (especially) are also picking up steam.
When I started making my industrial pieces almost four years ago, I had not heard of “steampunk,” until someone described one of my creations that way. I had to look it up. I’m sure the increasing popularity of steampunk has something to do with the popularity of some of my creations.
What do you enjoy most about not having a day job?Technically, I still consider it a day job. When my fiancé gets up to go to work, I get up to go to my clayspace. When he’s finished at five, that’s when I stop. What I like the most, though, is that it’s flexible. If I want to go somewhere on a particular day, I usually can – I don’t need to ask for a day off. Of course, the fact that I don’t have to get all pretty and dressed up for work is also a bonus. I sometimes wander right from bed straight to the clayspace, and I think that’s definitely nice. No commute!
What are your best marketing tips?
  • Sometimes the best kind of marketing is good old fashioned word of mouth. Make a few specific pieces of jewellery for yourself, wear them on a regular basis, and then carry a bunch of business cards with you wherever you go. Chances are that the people who compliment your jewellery may be interested (or know someone who may be interested) in purchasing something like it.
  • On Etsy, it’s vital that you have clear photos that depict the details of your work and use good tags/keywords for each listing.
  • Picking one or two websites to post on frequently and consistently is good. If you post on a whole range of sites, I find that the quality of the posts tends to suffer. Pick a few and keep at it. Schedule it if you must – pick a certain day or time that you post, and stay on it. I used to post on a number of sites, but now I just keep it to my two favourites – DeviantArt and Facebook.
What tool or technique has been the most effective in getting buyers to your shop?I find that people really like to hear the stories behind the things that I make. For example, in my Industrial Heart Collection, each original design was created for a particular individual. I like to tell people where the idea came from, what sort of concept I was working around, and most importantly, who it was made for. I can’t even begin to tell you the stories I have heard from folks who have requested hearts and the reasons why they want to purchase one. Some of them have been amazing and others have been heartbreaking, but they’ve all been stories that are worth sharing.
I developed a large following in the beginning because I shared these stories on DeviantArt, where pictures are paired with descriptions. People started watching me because they were interested in the stories behind the pieces. I don’t make as many Industrial Heart designs as I used to (I am up to over 140 now), but the stories are still there, being read about.
What’s the hardest part about running your own business?Only having two hands. My busiest time of year is usually around late October to the end of January, when people are buying gifts. Sometimes the amount of orders can be overwhelming, especially when the amount of time involved in creating each piece is quite substantial.
There will be slow days, and sometimes you’ll start to wonder if there is something wrong. But that’s just the way of it – sometimes it’s slow, and other times it isn’t. When you make unique items, you need to stay consistently creative in order to keep people interested. If you don’t come up with new ideas on a regular basis, people can get bored, and suddenly you will be yesterday’s news. That can be a little draining, so it’s good to take a break once in a while, even if it’s through some sort of other outlet. My other outlet is chainmaille. I enjoy the repetition, and it requires more manual dexterity than creativity, so it gives the brain a rest for a little while.
What’s the most exciting thing that’s come of selling your designs on Etsy?About a year ago, my work was published in 1000 Steampunk Creations: Neo-Victorian Fashion, Art & Gear by Dr. Grymm and Barbe Saint John. This August, my work will be featured in Steampunk: A Complete Guide to Victorian Techno-Fetishism by Vienna Von Schwarz.
It’s also very exciting is to be sitting behind your table at a craft show and hear people tell you that they visit your Etsy shop on a regular basis. Meeting customers in person is exciting, especially when they are wearing the item you created just for them.
What advice would you give to someone considering a similar path?
  • There are about a billion people creating jewelry. In order to be successful, you need to do something that sets you apart from everyone else. You need to have that extra detail that makes people stop in their tracks and go, “Oh, that looks interesting!” If you can’t make it bigger or more elaborate than anyone else, then find a way to do it better.
  • Take a walk. Getting away from the workspace can definitely be good for the brain juices. If you’re home all by yourself all day, it can get very lonely. Take time to see your friends. Do something for yourself. Even getting yourself a part-time gig or volunteer position can be good for getting out of the house.
  • Be prompt and be friendly. If someone messages you, don’t let it sit for a week – people get really discouraged. Answer all their questions, be kind and considerate, and be polite. Yes, sometimes people will ask you the same questions over and over again or get a little short with you if they are on a deadline or something, but just keep your cool and handle it with care.
  • Take a look at what is selling and what isn’t. Think of ways to make the items that aren’t selling better. There are tons of tutorials and information all over the place to educate yourself in areas that you may not specialize in. Descriptive writing and product photography are some good examples.

Anything else you would like to share?Make sure that you take care of yourself. Sometimes the hours in owning your own shop can be long and draining, and once you’re in work mode, you may not stop until you’re finished. Take time to eat, get out of the house, spend time with friends and family, sleep, and just get away from the workspace. It’s worth it. You aren’t going to be up to your full potential if you let yourself fall between the cracks.

A space to create


http://www.etsy.com/blog/en/2012/a-space-to-create/?ref=fp_blog_title

A Space to Create

Erin Souder loves to create and is the voice behind the daily DIY and home style blog, House of Earnest.  She is a Columbus-based creative who works in product development and specializes in floral design and event styling. In her spare time, Erin likes to make lists (and check things off them). She lives in a 100-year-old farmhouse with her husband and their schnauzer, Perry.
I am a creature of my environment. I like to pretty up my work habitat before I start a project — sometimes, taking care of my surroundings is the project! I love working in a place that is fresh and natural, an open space for my mind to wander.
Curating a space starts with the big things. A functional, sturdy desk, storage solutions, a comfy place to perch, and a soft rug are the perfect foundation; a large piece of art kicks off the quirk. There are plenty of spaces to hold crafty goodies, surfaces to set works in progress and room to create. I like to combine comfort with minimalism so that there is still room to think and breathe.
Add on some necessities, like a telephone, desk lamp, pencil corral, and mouse pad. Inspiring details like small pieces of art, plants, and a place to stick a few favorite photos set the tone.
If there is anything I love more than home décor, it’s supplies. Most of the time, I have no clue what I’m going to do with a supply or material that I purchase, but I know that the item itself and the space I’m creating in will lead me in the right direction.
I think the only thing missing is this picture is me —  I’d like to jump right in and get to work! What makes you feel creative in your space?

Monday, 11 June 2012

Lemon curd

I stubbled across this recipe which reminded me of the days in the summer I use to spend at my gran parents house.

Ingredients:
Finley grated zest and juice of 3 lemons
3 large free range eggs
2 free range egg yolks
175g caster sugar
100g unsalted butter, cut into chunks

Method:
In a bowl, whisk together the lemon zest and juice with the eggs and yolks.
Stir in the sugar, the add the butter.
Put the bowl over a pan of gently simmering water.
Stir frequently until thickened (about 15 - 20 minutes).
While hot, spoon in to hot sterilized jars and seal. Leave to cool and label.


To sterilize jars place them in a pan of cold water and bring it to the boil for 10 minutes. Leave the jars to cool and dry naturally up side down.
Another method is to sit the jars on newspaper or a baking tray and heat in a moderate oven ( between 180 and 160 degrees or gas make 4) for 20 minutes.

Monday, 14 May 2012

A Simple Formula for Pricing Your Work


http://www.etsy.com/blog/en/2012/a-simple-formula-for-pricing-your-work/?ref=fp_blog_title

Imagine this: a beautiful jewellery studio, a soldering station, an anvil on a nice old worn wooden stump, a handmade jewellery bench, and on top of all this lie piles of finished pieces. Behind the bench sits a jeweller who has yet to sell a single one of her creations. What’s holding this talented artisan back? From my years of listening to your stories, putting a price on your work is one of the most intimidating first steps to selling, and delays many from opening their shop. I’m here to share my favourite pricing formula with you, and to break it down so you have the confidence to get out there and sell!


Know the Formula

Here’s my favourite formula:
Materials + Labour + Expenses + Profit = Wholesale x 2 = Retail
I picked this up from the amazing Megan Auman. What I love about this formula is that your profit is properly accounted for!
Now let’s go through every part of this formula and break it down.
Materials
Make sure to cover all your material fees. Often forgotten: the little things like the cost of thread, and the bigger things like the cost of packaging. If you’re going to “guesstimate,” err on the higher side!
Labour
If someone wanted to hire you and they offered you $7 an hour, what would you think of that deal? Be a good boss to yourself and do a bit of research. How much does a seamstress make in San Francisco? Find out! (Also remember, you’re probably more than a seamstress – you are the designer, the marketing department, the accountant, the janitor, and the administrative assistant, too.)

Expenses
Bubble wrap, that ebook purchased at 3 a.m., studio rent, bus passes required to make it to the studio every day, a new scale for your shipping station. How the heck can you fit all these things into the price of a single item?
Here’s a way to do that:
  1. Jot down every expense you can think of — for example, include your Etsy fees, office supplies, rent or utilities.
  2. Next, come up with the number of items you’d like to sell a month. Divide that number into the total expenses.
Tip: Start doing two things to help you come up with an even more exact price:
  1. Track your expenses carefully so you can come back to this as you learn more about selling! I suggest trying out Outright – a free online accounting tool.
  2. Start figuring out the big investments. How many items can you get out of that sewing machine? How long will that postage printer last before it needs to be replaced?
Profit
Think hard: where do you want this business to go? Do you want to quit your day job? Do you want to pay off a student loan? Accounting for profit now will help you get there. This number really depends on what you are selling, and will make up for someone like a printmaker, whose material costs are low, labour hours might be low, but should be paid for their unique talent and point of view! I leave this up to you. I’m trusting you here — don’t disappoint me with a low ball number!


Bringing It All Together

All right, this gets us to our wholesale price. Some of you might wonder if you can use the wholesale price in your Etsy shop. Wouldn’t this be a a great way to offer your work at an affordable price? No, no, no. Here’s why I’m going to beg you to double your wholesale price and sell your work at a true retail price:
  1. Selling your work at a wholesale rate undervalues those who price their work at the proper retail price. When the majority of sellers in a category price their work thoughtfully, the entire category benefits.
  2. Customers will wonder, “Why?” Why is your work so much lower than everyone else? Is it because it’s not handmade? Is it because you’re using cheaper materials? Your price tells a story: make that story a good one!
  3. You’re putting yourself at a disadvantage. Let’s say a big catalogue reaches out to you and says, “We’d like to buy 100 of these items! Please let us know what your wholesale prices are.” This is a big opportunity; an opportunity you can’t afford to take.
Did you just come up with a price that you are sure the market won’t respond to? Here’s the trick: if the item is priced too high for the market, it’s not the price you need to alter, it’s the design or the way you produce your work. Get creative and see how you can adjust the item to reduce your costs. Can you buy your materials discounted in bulk? Can you produce the work in multiples, reducing the labor? Don’t take the easy way out by slashing your prices. Remember, the right prices will allow you to reach your small business goals.

Sunday, 18 March 2012


Spring is all go here in the UK. The grass is looking much greener and full of yellow and white as the daffodils, primrose and snow drops poke through and come into bloom. The cherry blossom and Hawthorne is all go too, with the magnolia not far behind.
A week ago I was leaving Aberystwyth with the crocus's up round the bottoms of the trees along with the yellow daffodils and white snowdrops the only sign of spring. However in Pontypridd the cherry blossom and magnolia was out along with all the daffodils. Then up near craven arms, cherry blossom and Hawthorne were everywhere you looked. Daffodils were rife too. Last night i saw a beautiful white bull calf, who would be with me on the train back to aber if I knew I could get away with it. today I have seen so many lambs including some of my favorite colours, all black, black spotted and brown spotted. I always did love the colour of an animal and its character over its breading.
Spring has got me crocheting in browns, creams, greens and yellow. Spring is most definitely here and its won't be long before the full vibrant colour of summer is here. Oestra is the next holiday here and I will be decorating and crafting in yellow and light greens showing the promise and warmth of summer to come.

Wednesday, 7 March 2012

How frequently should you contact customers?

http://www.royalmail.com/small-medium-business/smart/useful-extras/research/frequency-communication

How often should you contact your customers? Communicating, whether it’s face-to-face, via direct mail or through an online campaign, means you build a relationship and establish your brand with your customers.

Research conducted by Royal Mail reveals that successful SMEs are those who get the balance just right. The research defined success as SMEs that increased their number of employees, turnover and profit, or at least one of the three. Roughly half of the research sample (473 out of 922) fell into the ‘successful’ category with a similar number (449) classified as not successful.

Here are six tips on how best to contact customers:

  1. Frequency is key
    The research confirmed that successful companies use media with greater frequency than their less successful counterparts. In total, successful companies communicate 33 times per year (compared to 25 for their less successful counterparts).
  2.  Use a wide range of mediaSuccessful companies, as measured by increases in number of employees, turnover or profit, use a wider range of media and spend more on communications and advertising. The research found that this was especially true for smaller companies with up to 50 employees, and that they were more likely to have increased their customer base and generated more positive attitudes towards the use of mail for customer acquisition, retention and re-engagement.
  3. Shout louder in a recessionBecause of the economic downturn, your instinct may be to cut financial corners and slash marketing budgets. In fact, this is the time you need to work harder to keep existing customers happy, while still actively seeking new ones. The research found that successful companies were the ones who had been focusing on their marketing output and planned to increase communication and advertising budgets in the next year, despite the economic environment.
  4. Invest in advertising and communication…
    From the companies profiled, the average annual spend on advertising and communications was around £44,000. However, for successful companies, this was £55,000 and for unsuccessful companies, it was only £31,000.
  5.  … but spend it wisely
    The research found that most successful companies spend most of their marketing budget on retaining their existing customers and then focused on the acquisition of new ones. Third on the list was the re-engagement of lapsed customers.
  6. Maintain your customer database
    It’s official – successful companies are more likely to have a customer database, so get your data in order. According to the research, 87% of successful companies have a database.

Monday, 27 February 2012

Thank You!

Just signed into blogger to see I have over 1000 page views. I just wanted to say thank you for reading my nonsence and I hope some of it is actually helping someone out there.